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MODIGLIANI: "Leopold Zborowski sitting.

The original work was created by 'Artist Livorno in 1919. This is an oil painting on canvas cm. 100 x 65. Today belongs to the collections of the Museu de Arte de Sao Paulo, Sao Paulo, Brazil.

"The Portrait of Leopold Zborowski is the patron of Poland for which MODIGLIANI began work in 1916 for 15 francs a day ... often depicted in portraits that represent only his face and figure paintings in which the merchant represented in ... half-length portrait of St. Paul Zborowski is the only one where the Polish merchant appears sedately seated , Smartly dressed and depicted full length, looking prim, perfect reflection of the progressive realization of the artists who promote, support financially, as ... MODIGLIANI.

(From reading MODIGLIANI, edited by Rudy Chiappini - SKIRA ed.)

Reproduction proposal (2010 / 2011) is an oil painting on a colored gouache. The media is a paperboard cm. 46 x 28.

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About 'Roman'.

"... Make sure that other paradox, one of those who throughout history have helped to build our paradoxical way of life: the Greeks were democratici ed egualitari , ma solo fra di loro, all'interno della polis : cioè , erano liberi e uguali perchè ateniesi o spartani ; invece i romani , imperialisti e saccheggiatori , con l'espansione dei loro confini , contribuirono all'universalizzazione dei diritti politici , e chiunque si trovasse dentro l'impero ( che allora equivaleva al mondo conosciuto ) poteva goderne . Tutti potevano essere cittadini di Roma , ovunque fossero nati , ..."

( Dalla lettura di Politica per un figlio di Fernando Savater - Laterza ed. // Nell'immagine la Curia Ostilia sulla sn. e l'Arco di SETTIMIO SEVERO , imperatore romano dal 193 al 211 d.c. , nato in LIBYA , the ancient city Leptis Magna, about 130 km south of present-Tripoli))

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Leonardo da Vinci in Rome ..

... with The Music, a small masterpiece exposed in the Capitoline Museum, in the extraordinary exhibition of Marc 'Aurelio.
unless it is extended after 27 February, the Opera will return to the Pinacoteca Ambrosiana in Milan.

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INPUNTADIPENNA Edward LONGOBARDI. .

... in addition to previous post.

Ten Commandments of cuddly.
.............................. * How
fire left the cuddly keep alive the embers under the ashes of suffering reassuring the newspaper.
* To evaporate the cuddly, spread the ashes out the fire, and face it head on, will cool rapidly and will become ashes when you leave you will be freed.
* Although the cuddly evaporates, the mind does not come back as clear as before, but it remains a bit cloudy. * For every cuddly
evaporated remains a subtle veil of dust on the mirror of your soul, that over the years and reflects s'offusca less amazement and wonder of life. * The cuddly
is like the flu, if you get caught sooner or later all. The question is: who is better protecting lives with her coat, scarf and hat of cynicism or who challenge the risk and live the fullness of feelings?

link: http://www.asinosaggio.blogspot.com/

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INPUNTADIPENNA Edward LONGOBARDI ...

Ten Commandments of cuddly.

cuddly * It is said that mixture of regret, longing, nostalgia that accompanies the lack of a place or a person or situation of the past. * The cuddly
feeds the false illusion that there may be places, people and situations immutable and perfect, that is timeless.
* Who says it is harmless and cuddly you can not ignore, or mind never tried a real cuddly.
* Almost always re-visit the place, meet the person re-, re-live the situation that has brought you the cuddly, it does evaporate.
...
(the sequel to the next post)

link: http://www.asinosaggio.blogspot.com/

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by Titian, "Sorrows with open hands."

The original work was done by the Master of Pieve di Cadore in 1554. This is an oil painting on marble cm. 68 x 53.
Designed in the same year the Emperor Charles V, now belongs to the collections of the Prado Museum in Madrid.

"Titian was really most excellent of all who have painted, as his brushes always gave birth expressions of life. I said Giacomo Palma the Younger ... that this would lower his paintings with such a mass of colors, which were used (say) to bed, according to the expressions above that then they had to make, and I have seen too ' I de 'shots rissoles with massive strokes of color, sometimes of a smear of red earth outspoken, and he needed (as if to say) for half-tone, sometimes with a splash of white lead, with the same brush, dyed red , black and yellow, formed the importance of a clear doctrine of these maxims, and was four strokes occur in the promise of a rare figure ... "

(Excerpt from The rich mines of Venetian painting M. Boschini, 1674 - by reading TIZIANO - Rizzoli Art Classics).

Reproduction (2010) - dedicated to the ANC / Rome, Sec. Montesacro - is an oil painting on a colored gouache. The media is a paperboard cm. 45.5 x 43.5.

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MY PHOTOS E I COLORI DELL'ESTATE.

From the beach of Santa Severa.

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I COLORI DEL TEMPO : ANTONIO GRAMSCI e il CIMITERO ACATTOLICO di Roma ...

... Cestius Street (near the pyramids). This sacred building was established in early of 1700 for foreigners who were forbidden burial in Catholic cemeteries. Among others, here lie the remains of the two great English poet John Keats and Percy Bysshe Shelley. In more recent times, the Protestant Cemetery became the final resting place for some Italian and between Gramsci. His physical frailty did not prevent him to be among the main opponents of fascism. The vivid intelligence and philosophical culture as well as political commitment were perceived by the hierarchy as extreme danger to the survival of the regime and so they decided to render it harmless to the prison. SEVEN YEARS He was convicted of 20 of which, just because a serious illness. Obtained conditional release in 1934, spent the last three years resident in two clinics in Formia and Rome, where he died.

link: www.protestantcemetery.it

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I COLORI DI ANCONA : PALAZZO DEGLI ANZIANI .

Some scholars argue that the site where now standing out against the building in half with one side of the hill Guasco facing the harbor, had been established the civil power in the city since the early Middle Ages. The present state, according to Vasari, was due to the design of Margaritone AREZZO who waited for "the year 1270, and, what is more, he made a sculpture from the main facade of eight windows, each of which has in the space of half by two columns supporting due archi..." Dal 1563 sino al dopoguerra e quindi successivamente al terremoto del 1972 , il PALAZZO DEGLI ANZIANI ha dovuto subire ripetuti interventi di ristrutturazione e consolidamento , mantenendo tuttavia molti degli elementi architettonici e decorativi originali , quali i motivi romanico-gotici della costruzione medioevale , i bassorilievi duecenteschi con storie bibliche , e così via. Ai giorni correnti , nel contesto di un ulteriore intervento di restauro in funzione della prossima destinazione del Palazzo a sede del Comune , il Sindaco GRAMILLANO può affermare " Torna a battere il cuore del centro storico e da esso prende avvio il rilancio sociale , turistico e culturale del Guasco e della città " .

Link www.comune.ancona.it

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LA COSTITUZIONE DELLA REPUBBLICA ITALIANA .

PART I RIGHTS AND DUTIES OF CITIZENS
Title I - Civil Relations

17. Citizens have the right to assemble peacefully and unarmed.
For meetings, even in a place open to the public notice is not required.
For meetings in the public notice must be given to the authorities, who may forbid
only for proven reasons of security or public safety.

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Da VINCENT VAN GOGH : " Ritratto di Armand Roulin a 17 anni".

The original work is a oil on canvas cm. 66 x 55, that ' Dutch artist has created in 1888 and today is part of the collection of the Museum Folkwang in Essen.

"I want to paint men and women with something eternal, which was once a symbol of the halo, and we try to make the same radius, with the vibration of colors ... So I'm always among ideas contrast, the raw material difficulties of tossing and turning to create a life, the second study of color. I hope to always find something in there ... "

(Excerpt from a letter - n.531-, directed by Vincent van Gogh to his brother Theo).

Reproduction proposal (2010), is a oil painting on a colored gouache. The support is made of cardboard and measures cm. 38 x 27.5.

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LE FERITE DI ROMA : " Chiusa la cappella con la statua del...

BERNINI in San Francesco a Ripa, church at risk collapse. "So the headline The Republic of 2 last year, following the checks carried out by the Fire Department." Friars Minor that administer the church for 800 years (in Trastevere) with its monastery here because St. Francis of Assisi stood in his stay in Rome, they realized these cracks (on the ceiling and some arches) in the day when was celebrating the feast of the Blessed Ludovica Albertoni, patroness of Rome from 1625 ... "- Cecilia Gentile.

the picture (you can enlarge by clicking on it) ALTIERI the chapel with a statue by Bernini, which commemorates Our LA For more historical and artistic information I suggest you watch the post of 18 November 2008 and January 10, 2009 with comment by Frederick Zadra.

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Instructions for use of the site ...

WARNING! A META 'PAGE (MORE PHOTOS OF THE FIRST 'BIG) WRITTEN ON THE RIGHT YOU WILL FIND A SMALL "older posts" Click it and you turn EVERY TIME THE PAGE ....

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S. AGNESE IN AGONE

((In addition to the previous post)

"This church promises on the bright backdrop of Piazza Navona, but rather is itself an integral and fundamental. Its concave side, its high dome and slender, the two beautiful baroque bell towers that make up the frame one of the most complex art titpici Baroque ... The story of its construction is rather curious: the beginning Girolamo Rainaldi and his son Charles, but already in 1653 the pope, not satisfied, dismissed them and called their place the Borromini, with authentic strokes of genius , produced the concave facade, making gravitate above, apparently, the high mass of the dome, and profoundly changed the inside ... ... Going for Baroque sacristy you can go down in the basement where, among the remains of the building Roman find themselves in a suggestive shadows, ancient frescoes and mosaic floors ... ".
(A reading of the Churches of Rome and R. L. Zeppegno Tiles - Newton Compton Ed - 1975)